Lolita is an interesting
book because it deals with something that crosses far beyond the threshold of
taboo, and yet it does it so skillfully and eloquently that the reader often
forgets exactly what the book is about, which is a somewhat psychotic
pedophile who is also a pathological liar. The only problem is, he’s really
good at what he does—so good that the reader, if not primed to mistrust this
man, may not realize that the contents of his “journal” are not coming from a
trustworthy source. Of course, I’m talking about Humbert, in this case, not the
author.
The narrator goes to such
lengths to try to prove his innocence, but then he says things like, “I did not
plan to marry poor Charlotte in order to eliminate her in some vulgar, gruesome
and dangerous manner such as killing her by placing five bichloride-of-mercury
tablets in her preprandial sherry or anything like that…” It completely throws
the reader off and he’s slowly comes to realize that this narrator is either
toying with us as he does with the psychiatrists, or he really does have a mental
problem that can make him quite dangerous. It’s an amusing little dance he does
between revealing what I imagine is his true self, and a masked version of his character
that he uses to stay as presentable as possible for an audience that may be
responsible for his fate.
What I really found quite
unique to this book was that as I read it, I registered that the narrator was a
little insane and had serious problems, but it was only when I started
listening to the audiobook that I realized just how deep Humbert’s issues are.
There was something about the way the voice actor talked that made it sound
like he sincerely believed and agreed with the things he was saying—especially
the parts where he laboriously pronounces Dolores’s pet name, “Lo-lee-ta.” I
actually liked the story more when I was listening to it than when I was
reading it. As I was reading, it just seemed like I was a passive observer—not
even an observer, more like a secondhand listener being told a story from
someone who heard it from someone else. When I listened to the audiobook, It
felt like I was right there in the room with Humbert as he told me about his
fetish for little girls and of his adopted daughter whom he has sex with
repeatedly. It’s so much more visceral and it makes the detailed a thousand times
more difficult to ignore.
I like
that Humbert really tries to justify his actions. He does not deny them.
Instead, he reasons that he does not do any harm with his lust for nymphets.
Also, according to Humbert, why does it even matter when the romans would
molest twelve-year-old boys and holy figures would be wed to wives who had not
even hit puberty yet? To him, there was nothing wrong with what he did, and
that’s what made the book so interesting—it was from a perspective so utterly
unlike my own, I have to suspend my disbelief to unprecedented levels just to
get through it.
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