To an outsider, the home of Philip
Flanders looked just like any other ordinary apartment in Cambridge,
Massachusetts. He lived in the cheapest part of an expensive district. This
meant that there was a chain link fence outside his building and the rest of
the house remained firmly in the 17th century, with peeling paint
and rotting wood supports. What this shoddy exterior hid so well from the rest
of the world was a shape shifter named Molly who lived in Phillip’s living
room.
Even on the
inside, it would be hard to come to this conclusion, but the signs were all
there—fur covering the couch, dark feathers littering the floor, several
different claw marks on wooden armrests, bags of dog food and cat food in the
kitchen. It seemed that Philip owned just about every animal possible, but
there were no animals to be found. There was only Molly, lounging in the living
room. The thing about shape shifters is that they can change into anything, not
just animals—trees, rocks, whatever comes to mind. Animals are the most
interesting things to be, so that is what they often are. But it takes them a
very long time to complete the transformation. Molly was once stuck with a long
furry tail for two days after being a house cat while Philip’s family was in
town. She had to prepare days in advance, often locking herself in the cupboard
for a few nights while her smooth skin grew hairy and her teeth sharpened into
fangs. She did not want to be seen
looking like that; not after what happened when she first met Philip. Needless
to say, the transition period was not a pretty sight. This moment, when the
face still resembles a human’s and the bones are twisting into unnatural
shapes, is when the shape shifter is at her weakest. This is the danger all
shape shifters faced.
On the day
she arrived, Philip was celebrating unpacking the last box from his move out of
Kansas. He was celebrating by himself because no one knew him, and he knew no
one; except for his landlord, who only gave him the apartment because he had
two months rent worth of cash in his hand. It was a stormy day outside and he
was lucky to have shelter. Just as Philip looked out the window to admire how safe he
was, a big black bird slammed head first into the glass, making a small crack
in his window.
“What the…”
said Philip as he rushed outside into the rain. He saw a raven on its back, a tiny trickle of blood from its beak. Phil liked to think of himself as a tough guy, you had to in the Boston area,
but deep down, he always had a soft spot for animals—and it had been a lonely couple of months. He
decided then that the best thing he could do for this bird was to nurse it back
to health. When he picked it up, he noticed a paper wrapped around its leg.
Phil took it off and unfolded it. The paper turned out to be a series of
photos, all of them dating at least sixty years back. They were in black
and white and several of them were of the same girl with long frizzy black
hair, smiling. On the back corner it said in neat cursive, “For Molly”. Phil
laughed and put the roll in his pocket. “I didn’t think people still used birds
to send messages.”
Philip would never forget the next
few days. The bird quickly outgrew and broke the shoebox he had placed it in
and all of the food he gave it was gone—including some food that he did not give it.
Phil was surprised and more than a little concerned about this unexpected
development. He thought briefly about killing this horrifying creature with a
kitchen knife, but out of sheer terror (or maybe compassion) could not bring himself to do it. Meanwhile, it continued to
grow and grow until it covered the entire table. Phil did not dare move it.
What if it was contagious, he thought. Flustered, he studied the photos some
more as the bird creature lay curled up on the table behind him. Perhaps they held a clue to this puzzle. He saw a girl on a bed with a
dog whose hair that looked very similar to another girl’s long hair from a different
photo. There was also a picture of a soldier who wore a beak-shaped facemask
like there was something under it he did not want others to see. Perhaps the
strangest photo of all was a picture of three people dressed as chickens in
front of a painted background. For what reason, he could not guess.
On the third day, it began to
resemble a monkey with feathers. He thought for sure, he
should call some sort of pest control and get them to remove this thing from
his home. “What have I done,” he would say as he walked around the mass
of black feathers lying around the table. The creature would only look at him and sigh, like it was trying to say something but could not. That night, he picked up the phone
and looked up the local pest control companies. Eyes closed, he pointed to a
name on the page.
“ASAP Pest
Elimination, this is Fred, what can I do for you?” said a deep voice.
“Hi Fred.
I, uh… can… -can you please tell me what size pests you’re able to… eliminate?”
“For the
most part, any,” he replied, “It don’t matter as long as they’re smaller than a
cat. Any bigger might cost you a little more. Whaddya got, raccoons, snakes?”
“Well,
here’s the thing—and I’m going to sound a little crazy, but I don’t actually
know what it is.”
“Well gimme
something here, son. Can you describe it? Did you get a good look?”
“It’s right
here is front of me, actually,” said Phil as he glanced at the mass of
feathers. Just then, it twisted and opened its eyes, meeting his gaze. Phil
continued, “this is the part where I’m going to sound crazy.”
Fred
laughed, “Try me,” he said, “in my line of work, you see things.” Philip sighed
and looked back at the beast. Its eyes were still on him. Its mouth moved.
“Wait,”
said the creature, “Please wait,” it pleaded.
Phil jumped and dropped the phone
on the linoleum floor. It broke into three pieces: two halves and a battery.
There was not even a dial tone from the speaker. He backed into a corner,
paralyzed. Its eyes were locked on his.
“Please,” she repeated.
“What are you?” said Phil. She
narrowed her blue eyes as if she was remembering something and looked away. Then its gaze fell back to Phil and the creature took a deep breath.
“They call me Molly.”
Philip paused and retrieved the
strip of photos from his pocket. He found the one of the smiling girl with long
curly black hair. Their eyes were the same. Turning the paper around, he read again the words, "For Molly".
To an outsider, the home of Philip
Flanders looked just like any other ordinary apartment in Cambridge,
Massachusetts. But when your roommate is a shape shifter you nursed back to
health in a shoebox—life is anything but ordinary.
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